Romi aboulafia how to#
Romi aboulafia movie#

Romi aboulafia movie#

The movie ends in another electrifying encounter, with Mirren's Rachel tracking the aged Vogel to a Kiev hospital-a confrontation that quickly devolves into harrowing, bloody violence.

Romi aboulafia how to#

(Quietly berating her for not simply shooting him, he says, 'You Jews never knew how to kill, only how to die.') And the long, complex sequence in which the three agents attempt to smuggle Vogel out of East Berlin via a heavily guarded train station is a nerve-wringing piece of action filmmaking. The loathsome Nazi, now bound and helpless, maintains an avuncular front, but his verbal parrying with Rachel is grimly manipulative. Pretending to be a woman with fertility problems, Rachel visits Vogel at his clinic, and their scenes of veiled interaction-with Rachel's feet up in stirrups and Vogel gently probing between her legs-are remarkable inventions of mounting paranoia.Īlso fascinating are the later scenes between these two, after Vogel has been captured and brought back to the dingy apartment the agents are using for a base. The object of their mission, the ex-Nazi Vogel (Jesper Christensen), has transformed himself from the 'Surgeon of Birkenau,' who once conducted hideous medical experiments on captive Jews, into a kindly obstetrician. This is not a problem in the early Berlin passages, though, in which we see that hard-nosed Stephan is in charge of the extraction, and Rachel (on her first field assignment) and David are posing as a married couple. Since Csokas and Worthington bear no resemblance to Wilkinson and Hinds, it's difficult, at first, to keep track of which character each of the older actors is supposed to be. In cutting back and forth between two time periods, the movie creates some initial confusion. Stephan says this can't be allowed to happen-that Rachel must go to Kiev and, at last, terminate the brute. Taking Rachel aside, Stephan tells her that the old Nazi, long thought dead, appears to have resurfaced in Ukraine, where a local journalist is planning an embarrassing story about him. Rachel and Stephan are drawn back together at a party for their daughter, Sarah (Romi Aboulafia), who has written a book about her parents' legendary exploits. The once-married Rachel (now played by Helen Mirren) and Stephan (Tom Wilkinson) are long divorced and David (Ciarán Hinds) has become a troubled, solitary wanderer. Now middle-aged, they have fallen out of close contact. Leaping ahead to 1997, we meet these three again. The fact that two of them seem reticent about doing so escapes comment. They are instant national heroes, quickly dispatched to recount their dangerous adventures before spellbound gatherings. It opens in Tel Aviv in 1966, with the three agents-Stephan Gold (Marton Csokas), Rachel Singer (Jessica Chastain), and David Peretz (Sam Worthington)-returning from Germany in triumph. The movie asks us to contemplate the uses of deceit and the overriding value of truth, however painful. Then, 30 years later, the case suddenly comes to life again, with possible consequences that could shake the nation. Nevertheless, upon their return home the three agents are celebrated for the essential success of their undertaking. (The movie is based on a 2007 Israeli film, and while the mission is fictitious, the outlines of the 1960 Eichmann operation are clear.) The snatch goes awry, and the Nazi has to be dealt with on the spot. The story concerns three Mossad agents who undertake a dicey Cold War assignment to extract a monstrous ex-Nazi from East Berlin and bring him back to Israel for a high-profile trial. The Debt is a full-bore thriller with more on its mind than world travel and smashing action-although there's some of the former and quite a bit of the latter.